Jean-Baptiste Camille Corot(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. | |||
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Woman with a Pearl Pintura Identificación:: 80832 Vea nuestra galería en Suecia |
Woman with a Pearl . between 1868(1868) and 1870(1870) Medium Oil on canvas Dimensions 70 x 55 cm (27.6 x 21.7 in) cyf ._between_1868(1868)_and_1870(1870) _ Medium_Oil_on_canvas _ Dimensions_70_x_55_cm_(27.6_x_21.7_in) _ cyf |
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Le Pont de Mantes Pintura Identificación:: 81311 Vea nuestra galería en Suecia |
Le Pont de Mantes Oil on canvas, ca. 1868 - 1870. cjr Oil_on_canvas,_ca._1868_-_1870. cjr |
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L'Etang aux trois Vaches et au Croissant de Lune Pintura Identificación:: 81325 Vea nuestra galería en Suecia |
L'Etang aux trois Vaches et au Croissant de Lune 35.5 x 53.4 cm, oil on canvas Date ca. 1850(1850) cjr 35.5_x_53.4_cm,_oil_on_canvas_ Date_ca._1850(1850) _ cjr |
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Reminiscence of the Beach of Naples Pintura Identificación:: 81971 Vea nuestra galería en Suecia |
Reminiscence of the Beach of Naples Date 1870-72 Medium Oil on canvas Dimensions 175 x 84 cm (68.9 x 33.1 in) cjr Date_1870-72 _ Medium_Oil_on_canvas _ Dimensions_175_x_84_cm_(68.9_x_33.1_in) _ cjr |
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View of Genoa Pintura Identificación:: 83889 Vea nuestra galería en Suecia |
View of Genoa Date 1834(1834) Medium Oil on paper mounted on canvas cjr Date_1834(1834) _ Medium_Oil_on_paper_mounted_on_canvas _ cjr |
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| Artista Previo Próximo Artista | ||||||||||
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| Jean-Baptiste Camille Corot | ||||||||||
| (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. | ||||||||||
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